About jessiecarty

Poet, Editor, Publisher

Movie Round-Up

Apparently, my lack of current freelance projects means that I have quite a list of items I’ve watched recently.

  • Watched the 2010 Japanese film Time Traveler which is one of many films based on a novel/manga series. It was pretty decent, but I think I like the anime film that is based on a different part of the story line called “The Girl Who Leapt Through Time.”
  • Speaking of time, while it isn’t exactly about time travel, we also rented Cloud Atlas over the weekend. I read the book a really long time ago so I could only remember bits and pieces of it while watching the film, but I came away really liking the movie. I know not everyone agrees, and it isn’t a perfect film, but we liked it. Funny that I tried to read another book by the author of “Cloud Atlas,” but I couldn’t quite get into it.
  • The next selection has nothing to do with time or sci-fi, but is in order on my list: the documentary How to Survive a Plague. I was pretty young when the AIDS epidemic started, but I remember being very uncomfortable when other kids teased by saying “you got the aids” or some variation on that. This is an interesting recounting of activism that worked.
  • I’m drawn to a variety of documentaries, and a more technical one on my list is Side By Side which is about the history of digital cinema. A pretty good watch.
  • I also take suggestions which recently included The Adventures of Mark Twain which is a 1985 claymation film where Mark Twain becomes a character along with some of his favorite stories. Really fitting to watch now as Twain’s autobiography has been released finally.
  • And sometimes I pick things to watch based on who is directing (or who is in the film). I decided to watch Crips and Bloods: Made in America because of the director (and the narrator – love Forest Whitaker). I wasn’t as sure about this one at first because it seemed like, while we were hearing the history of how the gangs starting, there was a lack of ownership by the former members for what they did as gang members, but that changed as the film progressed.
  • I’ve also mentioned before how what you are reading, watching etc all seems to start speaking to each other. I’m sure that I pick what I’m watching, at times, from my Netflix list based on others I’ve watched recently, and how I think they might speak to each other so perhaps it shouldn’t surprise me that I also ended up watching Booker’s Place: A Mississippi Story which takes another look at issues of race, class etc.
  • And a final quick mention that, sadly, connects to some others due to the discussion of murder was Of Dolls & Murder

Well my list of things I want to discuss is still fairly long, but I will be back with more later as well as some books that I finished recently. As always, I want to hear what you guys have been up to!

Thursday Poem Share

As of Monday I really didn’t think I would have anything to share with you this week, and then after a long walk on Tuesday there were a few ideas flitting around. The poem is probably the roughest I have ever posted here because I only typed it up on Wednesday, and no revisions have really occurred. Below the poem I will also do something I’ve never done here before (or I don’t think I have): I’m going to share the notes below my poem that I use as I continue to revise.

The Experiment

In this narrative I am 12 years old.
I wear my father’s old, long-sleeved,
button-up, plaid shirts, untucked
over tank tops with the sleeved
rolled up to mid fore arm. My cousin
says I have curves. They feel
like a formula I don’t know how
to balance.

In this narrative, I am almost 13.
I am the villain. My origin story
is too convoluted – not a single
chemical reaction, but a cluster
of related experiments firing
at random. What you need to know
is I made a choice. I tried to make
it look like sibling solidarity, the decision
to move in with my father along with
my brother and sister, but really
it was about temptation.

In this narrative, when I become a teenager,
I am surrounded mostly by new faces.
Convinced I can really be the hero
or my own story, I went on my first diet,
waited to be second before turning in tests,
almost turned in my cousin because
she faked her science fair project results
while I did an actual experiment
like something, at best, at fourth grade level.

In this narrative I will lose weight
because I don’t like powdered milk
reconstituted on off brand corn flakes.
I will realize the new clothes, part
of the temptation, were Christmas,
not everyday. I will be placed
into pre-Algebra for which I’m not ready.
I will never apologize even though
every day holds a little bit of regret
in the form of stolen cookies.

In this narrative the cycle begins
and I’m trapped by my own
choices. See, I am still 12 years old.

(Notes: typed from notebook on 5-15-13 at 10:48am. Additional notes say I might need to go back and look at the heroes journey some more. Also the idea of the evil scientist. See if other poems I have written reference the science fair. I have done it before, but posting on blog on 5-16-13 at 9:55am)

So, this is where I am at this week. As always feel free to comment on my poem below and/or to share your own work in progress. One week from today my work (and any posted) will be taken down. I do have a poetry review out this week. I also have a poetry review of “An Amateur Marriage” up on another blog. Do you read/write reviews? Feel free to discuss that as well. I did finish one book this week on my kindle Traci Brimhall’s Rookery which isn’t anything like what I write, but (as in tune with this video I watched recently) I think there is a call to read/write/watch things that aren’t always JUST like your initial inclinations. One of my favorite poems in Traci’s book is “Come Back to Me”  where she has the fantastic ending: Come back to me even as you are showing him / your breasts in the cemetery, and because, in truth, / you like the way the moonlight looks on skin.

Read and write on.

Three Courses in One – Part Three

Last Wednesday was part two of my discussion on three literature based courses. Last week I talked about the different ways I introduced the courses, and how I taught the courses developed after working with students in different environments, with different skill sets. The last post basically covered the first two weeks of classes.

As my face to face 113/131 classes headed into week three we studied point of view and character. I won’t go into everything we did in class, but here are some basics for week three:

The Tell Tale Heart (video interpretation) is still a terrific classic to use to discuss credibility of a narrator. I wasn’t really thrilled with the rest of the stories in the textbook I was using. In my day class, where it was easier to use video, I actually discussed character some by using reality TV which says it is non-fiction, but still the way people behave (and the way the shows are edited) develop “characters.” In my day class one of the students presented on character analysis which is something I’d like to use again. I actually heard a good suggestion at AWP regarding character: alter a Dungeons & Dragons character sheet, and then have different people use the different characters in their stories.

When my online class reached week three they had their first graded discussion board. I assigned one story from the textbook along with the chapters on fiction elements and analysis. The textbook and the discussion worked together to teach them, not only about fiction (and the story we were reading), but about how to discuss/write about literature.

Week for for in person classes moved into setting/tone and style. The example stories in the text were a bit better for this section, and we could reinforce the topics from the week before with the new stories. In my day class one student did a presentation about one of their favorite fiction writers. My night class continued with discussions, but also had their first short response paper due. I should also mention that my day class wrote a lot, more of a journal style of writing, in class. They usually had one day a week that was dedicated to writing on a certain topic for the week. They also wrote written responses to any of presentations that went on. One item I didn’t get a chance to use was an excerpt I scanned in from Maureen Johnson’s book Girl at Sea. This excerpt does a lot with setting, tone etc.

Week four for my online class had them writing about a second story from the textbook. They were also assigned examples of literature response papers to help them. These short papers were considered to be rough drafts, and were to only include their own thoughts on the piece rather than including any quotes from other critics etc. They were to engage only with the text. I decided to teach literary analysis this way because I wanted the class to think about the assigned work without also having to do research initially. I wanted them to practice class reading and analytically thinking on their own.

Next time I’ll get into week five, which finished out fiction, and speak about covering research/revision in a different way. See you next Wednesday :)

 

Mini-Reviews

Looking for something to read or watch this weekend? Let me try to help! Here’s some of what has passed over my virtual and literal desks :)

  • Many of you know Robert Lee Brewer from his Poetics Aside website. Did you know that he is also married to a poet? I heard Robert and Tammy read at Poetry Hickory last summer. Tammy’s chapbook was sold out, but it is now available in E-format! This is a wonderful collection. It is hard for me to pick a favorite, but perhaps it is “We Are Born Poets” where Tammy writes:  And then somehow / along the way we forget / / to look at the world / from our hands and knees – - . That’s just the opening!
  • On the watching end of things one I finished recently was The Mexican Suitcase. This is a pretty fascinating documentary about a war I knew little about, and also had me thinking about ownership of art.
  • While I was at AWP I wanted to pay for at least one literary magazine that I had not read before. I decided on an issue of The Hampden-Sydney Poetry Review. I LOVE this journal, and the issue I have was one where they focused on the idea of whether or not more men are published versus women even though this is a journal published at an ALL-MALL undergrad college. Terrific poets inside, nice interviews, and small book reviews. Definitely a journal I will read more of, and submit to.
  • I watch a lot of solving crime type shows on Netflix, but I’ve started taking them off of my list recently maybe partially in response to the documentary The Invisible War. This isn’t the easiest film to watch, but I think it is a really important one.
  • This list is a bit disjointed, but there is something underlying this list that has me thinking a bit, sadly, about pain. It is a part of life, and while we hope to NOT spend all of our waking time with it – it is there. I have to give a big mention here to Shaindel Beers’ second collection of poems The Children’s War and Other Poems. This is an amazingly moving book. It made me want to do more to help children. This is another one where I am hard pressed to pick a favorite poem to discuss is on page 15 of my copy (I wanted to share the picture to go with this, but that was my one worry – whether or not the links would still work to the photos that many of these poems reference). In this poem Beers writes: I make sure to make the knife / big. Bigger than both of the men. Bigger than life.
  • I have quite a few other movies, but I’m going to finish with another book that is, perhaps, a bit more uplifting: Smith Blue by Camille Dungy. I’ve been meaning to pick up one of Camille’s books for a while (friend of a friend), and I’m glad that she was signing at AWP so I had an extra reason to say hello. The book I picked up is Smith Blue. In the poem Daisy Cutter, Dungy writes: Pause here at the flower stand – mums / and gladiolas, purple carnations / / dark as my heart. We are engaged / in a war.

And here I thought I’d had a lazy week :) Anyone else reading/watching anything of note?

Thursday Poem Share

Last week I went to a lunch time artist talk at CPCC that my friend Amy Bagwell gave on her combination poetry and art exhibit. I already had some notes for a possible poem, but her talk seemed to be speaking right to the idea I was already working on so I worked her talk in as well. One idea/quote that I wrote down while she was speaking, that didn’t make its way into the poem, is the idea that artists (and here I also mean writers) are looking for a sense of authority when they work; that what they have created is meant to be that way. Give that some thought!

The poem I drafted based on my notes, and the talk is below. It has morphed a lot over the last week. It has been in first person, second person, sections; there are whole sections that have been taken out, and then put back in, and then taken out again. This has been a tough one for me. Perhaps partially because I always worry when I have a speaker of a poem who comes across as whining or who is “playing the victim.”

As always feel free to comment on my work in progress and/or post yours in comments for discussion. Any works in progress will be taken down one week from today.

—And another poem is out to be edited :)

I finally feel I have a revision of the poem I posted two weeks ago that is ready to submit so I moved it over to my submission folder. I have six poems ready to submit so I’m going to work on getting a submission packet out today. I also had a recent rejection on a set of poems I was really hopeful about. Gonna read those for revisions, and try to get them back out the door as well. Anyone else getting the yes/no’s on their work lately?

Three Courses in One – Continued

I’ve moved my teaching post up from Wednesday this week as I may not get to it tomorrow. I’m continuing my discussion of three different courses I taught that connect to each other.

One thing I’ll note right off is that when I taught ENG 113 and 131 in person it was for a Spring semester that started late due to weather. This was probably a good thing as, at the time, I had a hard time planning the first week of classes. Part of this was due to drop/add so you never knew who was really staying in your class, but also because I didn’t want to just do busy work for a week. Drop/add time was shortened later on which help, and I also found better ways to spend the first week.

The plan was to intro the class for one week, and to then spend four weeks on fiction. Since we had the delay I went over the syllabus, and then dove straight into the course work. The first week was to discuss why we write fiction. I asked them to look for where they encounter stories around them. This included sharing author interviews in print and on video before moving in to the specifics about plot. The book we were using contained fables, parables, and fairy tales along with other types of stories. These types of fiction pieces were well received.

This is the same basic plan I had for both classes. My night class would cover it in two class periods, and my day class would have three days to cover the material. My night class knew they had a short paper due on fiction by week four. My day class knew they to present before the end of week 4 if they were presenting on fiction and they had to turn in their creative fiction by then if that was their creative project. What I would be grading for these students was slightly different, but the overall discussions and all should have been the same.

They, as you might have guessed, were not.

My night class didn’t come prepared. They had not read the material. My day class, if they were unprepared, faked it better. My night class was in a computer classroom so I set up discussion boards and we tried discussing the works that way instead of face to face. This actually worked! It allowed me to transition them to talking face to face later in the course. They were more willing to type and discuss a story than to do so verbally. I decided that the night class would have discussions on Monday, and then Wednesdays would be for writing. I would give them plenty of time in class to work on their essays for each unit. My day class fared better, and were much more talkative. I found this interactive video later, and used it in a composition class, but I’d like to use it again to discuss story and narrative.

How did this experience effect how I presented ENG-113 once I taught it online? Their first week involved a getting to know you discussion board (like in class introductions, and also helps students get used to the online format), and they also had to select a literary term to write about. I used a wiki for this. The first week they just had to pick the term. The second week they had to update the wiki with their definition and examples on the term. This could be pretty short, as low as about 250 words, but needed to be properly formatting in MLA. This let them practice with the online class, practice the MLA formatting they should have learned in ENG-111 (comp 1), and introduced them to the idea of literary terms which I discovered when teaching 113 and 131 wasn’t a given.

This is just the start of what  took away from teaching these supposedly similar courses. Next time I’ll dig into the rest of the fiction course work, and see if we can switch over to another genre.

Thursday Poem Share

This week’s poem is another whopper in length. Maybe giving myself the freedom to write as much as I want has really opened up some new channels? It isn’t quite as long as last weeks for word count so I’m pasting directly here. You can comment on my work and/or post your own for discussion below. Any poems posted (including mine) will be taken down one week from today).

–And the poem is in revision :)

I’d love to hear what everyone did for National Poetry Month! I’m working on sending out the books for the poetry book giveaway, and I enjoyed talking to some creative writing classes as well as sharing NC writers with educators for Poem in Your Pocket Day.

For some extra poetry this week how about a poetry video?

I hope once I revise this poem and/or last week’s I might have something to submit soon.

On the non poetry side I watched two movies that felt kind of poetic recently Adrift in Tokyo and Happy Accidents.

Many of you know I also had a job interview this week. The recent interviews have made me think about why I use poetry when I teach composition. There are lots of reasons, but at the forefront I’m starting to realize how much I want non-poets to appreciate poetry not because it has a “theme,” but because it can speak to you if you find the poet that is just right for you :)