Friday Wrap-Up

Hello Friday! We finally made it although it doesn’t look my students are making it since we had only about a handful present in class *sigh*

  • S:  3. 2 sets of poems, one to a contest. One essay.
  • A: 3. including 1 poem to a print journal and surprisingly two short fiction pieces with my FIRST print fiction publication! Now if I was actually writing more fiction…
  • R:  4.  2 sets of poems, 1 with comments. two essays and one with comments.

I’ll try to talk more soon about my manuscript woes soon as you guys requested because you wanted some insight into how that whole process works.

Have a great holiday weekend! Always feel free to pose questions you want me to address in later blogs!!

Thursday Poem Share

Here we are again for Thursday Poem Share and I wasn’t sure about sharing this particular poem monstrosity, but it was suggested that it might be interesting if I shared a long poem (especially since I rarely write them) and to use it as a vehicle to talk about the process of writing from fragments so I’m gonna do it!

The poem titled: “The Study of: A Pastiche”is being presented via google doc (it is no longer shared so I can work on it and submit it to a publication!) so you can see all the formatting but I hope you’ll come back here to leave some comments about the piece.

The word pastiche covers a variety of things, but at its essence is “hodge-podge”, a mix. I think of it as the crock pot of poetry. It is all about fragments or pulling together seemingly unrelated parts. Or at least that is what it is to me.

This particular poem grew out of my need to clean up my poetry desk. I had so many poems that contained maybe one good line. I made a document of these good lines from literally hundreds of poems. Because we poets (often unknowingly) write on certain obsessions, the lines started to speak to each other and I found this long poem coming together with a bit of a narrative. It was a lot of fun to create.

Doing a project like this does bring up the old debate: keep all you write or pare it down.

I go back and forth on what I should do with my writing but I definitely lean towards keeping what works and putting what doesn’t very far, far away so you aren’t tempted to continue to work on something that is dull, cliched etc. How do you know if it is any of those things? Are we objective enough about our own writing to make that decision? Many would say – probably not, but I know when I am tired of working on a poem. I know when to set it aside.

Well, I think I do.

Have you ever tried to create a poem from the leftovers of writing? The good one liners, the fragments etc? If you haven’t tried it, it really can open you up. It is also opening me up to want to take apart my second manuscript again. I haven’t signed a contract on it yet and I have another publisher that mentioned some interest, but after creating this new poem (which I think could fit in the manuscript) I want to print it out and all my pending poems to reshape the book a bit. Does it ever end? Eventually it does cause I have two chapbooks and a full length that I managed to find a happy place of completion for (and that third chapbook that will come out next year, we shall see if it needs revision too!)

So on to the poem share. Feel free to post your poems or link to poems posted on your blogs. Also post links to poems or books you have read recently. If you want your poem removed from comments next week when I take my poem down please note it in your comments and I will do so (at least until it becomes too many!)

Poem on!

Right Poems. Right Time. Right Place.

Random Rupert Photo (he's the cat)

Rosalyn, one of our regular readers posed several questions to me such as: What’s your process for deciding the right poems for the right lit magazine for submissions. Can you break it down. How many times do you submit a poem out and it’s rejected before you decide it needs rewriting? How many people do you ask to critique a poem and decide that’s enough? I decided that all of this issues, for me, related to one another.

I shall explain.

When I start writing, I’m not really thinking of publication, audience or anything. I’m thinking: I have an idea for a poem and I just want to write.

So I write.

And I revise.

And then revise some more.

Sometimes if I am not making any new changes to the poem and it doesn’t feel quite done, I then send it to one of the readers I work with for critique.  I at most ask 3 people but usually just one. I also like to have specific questions about what is irking me with the poem. I tend to use about 40% of what is suggested on average.

Then back to revising until I don’t “hear” any changes that need to be made. I say “hear” because I always mutter my poems to myself while I am working on them. Even though I am more of a page poet than a performance poet, the sound of the poem is still very important to me.

At this point I have to decide if the poem feels like something I want to see published or if it is one I need to tuck away because, while it might have started with a good idea, it didn’t finish with a good notion.

If the poem is ready to start submitting I go to a list I keep of publications that I admire. My theory is that if I admire the publication it is because something in their pages (or virtual pages) resonates with me, meaning, I think I might also belong in their pages. This isn’t always true. Like I mentioned in another post, I like BOMB but my poems don’t really fit in there.

Every time one of my poems is rejected, I revel in the time it was gone, the distance that gave me to reconsider the poem. I re-read it out loud to myself and decide if it still “sings.” If I am no longer feeling the poem I try to revise it again before sending it out or I retire it away for a while until I feel like working on it again.

This is kind of how my process works. Hope that helps you guys along, especially as we approach Thursday Poem Share tomorrow!

Crafting a Catchy Freelancing Ad

Crafting a Catchy Freelancing Ad

Today’s guest blog is brought to you by Melanie Faith

Freelance editing can be a wonderful way to add to your income and to share skills you already possess.  It’s easy enough to set competitive rates, but what other considerations go into attracting clients?

1. Oh, The Things You’ve Done!

Do any of these sound like you: penned a column for the local newspaper, pitched to an agent, written numerous children’s books, conducted critique workshops, taught English literature or composition, queried a national magazine, or published creative essays about your writing journey? All of these are valuable and marketable experiences that prove helpful to other writers.

Brainstorm a list of your qualifications.  List formal education (an MFA in creative writing or a BA in English), but don’t overlook valuable life-experience qualifications.  For instance, a VISTA volunteer who lived in Asia for two years might assist a nearby university’s international students who are looking for a brush-up on grammar and syntax.  Or perhaps you’ve written and widely published popular fiction, such as mysteries, westerns, or science fiction. What sets you apart from other editors and writers?

Pair your credentials and experiences with the genre you want to edit.   Highlight any writing or editing awards you have received– a Pushcart Prize nomination, writing fellowships or scholarships– or participation in editorial associations or conferences. Such experiences demonstrate your dedication to both your writing craft and to keeping your editorial skills current.

2. Research Your Market

Or: Who Needs Me, Anyway?

Before placing an ad, I studied the ads in two similar print magazines, an online literary journal, and the writing magazine where I would place my ad.  It became apparent that not all ads were equal. The best ones avoided tired lingo in favor of a fresh pitch, announcing here’s why I’m different.

Ask yourself: which ads appeal to me?  What initial hook sets certain ads apart? A snazzy editorial name and an initial attention-grabbing question appealed to me. Omit terms everyone uses; ad space is money.  Many classified ads cost a flat fee with an additional charge per word thereafter.  Note, too, that some publications count contact information (e-mail, web addresses or postal address) as two or three words, instead of just one.  Place the catchiest, most attention-grabbing details first.

Also consider: the internet is an invaluable tool to reach clients all over the country, but if you want to work face-to-face with your clients, placing a local newspaper ad might be a great fit .  Some publications offer discounts for placing consecutive ads.  Do you want to focus on academic editing (research and term papers, literary essays, application essays) or on creative work? If you will accept Paypal or offer special discounts for working on multiple projects, state so.  Listing a personal website with copies of your published work and testimonials from clients can be invaluable.

3. Name Your Niche:

When creating my ad, I noted that most editorial markets were pitching to fiction writers. While I can certainly proofread, polish, and critique fiction, very few editors were specializing in creative nonfiction essays (which I’ve enjoyed writing and had published) or poetry, the latter of which is dear to my heart, having received an MFA in creative writing in poetry.  My ad focused on reaching out to poets and essayists who might be overlooked by other editorial services.  Further, I noticed that few freelancers were listing chapbook manuscript or cover letter preparation.  I’ve prepared full-length poetry manuscripts and several poetry chapbook manuscripts, two of which were published. For several years, I’ve submitted at least three manuscripts per month to publishers and know first-hand the art of writing professional cover letters. Two more skill sets added to my ad!

After considering your credentials, researching and hooking your targeted audience, and specifying the unique type of editing work you are most suited for, interested clients will surely respond.

And here is the ad Melanie was working on:

TOP-NOTCH WRITING COACH. Pushcart nominee, multi-published author with twelve years of editing and teaching experience, specializing in poetry and personal essays.  Positive and constructive feedback.  Critique, line and developmental editing, chapbook organization and preparation, proofreading, manuscript and cover letter preparation, and more.  Competitive rates, accepts Paypal.  Whether penning a first draft, rewriting, or seeking publication, I’d love to help you to meet your writing goals! Contact Melanie Faith, MFA:  writer@pa.net.

BIO: MELANIE FAITH is a writer, educator, and photographer who holds an MFA in Poetry from Queens University of Charlotte, NC.  Most recently, her poetry was published in The Houston Literary Review and two of her travel essays were nominated for a Pushcart Prize and a Best of the Net writing award. Her craft articles about creative writing appeared in The Writer (Nov. ’09) and Writers’ Journal (July/Aug. ’09, Sept/Oct. ’09 and forthcoming– “From Decisions To Revisions: 5 Editing Tips To Revitalize Your Poetry Drafts”). She has been a small-town newspaper journalist, an ESL classroom teacher for international students, and (currently) a literature and writing tutor at a college prep. private high school in Pennsylvania and an online creative writing instructor.

Monday Shout Outs

Kind of a strange Monday. I did end up in class because not enough of my day students uploaded their papers so we were unable to do an online peer review week. Oh well, I’ll try it again in another semester and I might even offer it again tomorrow night to my night students….

  • This Friday, I will be one of the featured readers at Green Rice Art Gallery. 7pm. Al Maginnes is the other featured reader and I’m thrilled to be reading with him!
  • Folded Word has made T-shirts, bags etc available for their writers. They did a one of my book cover art but even cooler is this terrific T-shirt that Jennifer Bower designed which has one of my poems from Paper House on it!
  • Ocean Vuong’s chapbook Burnings is now available for pre-order at Sibling Rivalry Press!
  • I enjoyed this short story in damselflypress
  • And one more? Uh….I didn’t have many links this week but how about a reminder that we are reading for a featured poem until November 15th over at Referential Magazine. We read year round for referred material.

I have a guest blog tomorrow about marketing and thanks to all your terrific suggestions I have a nice list of blog topics to work on over the next few weeks.

So let’s dig down into Monday and make her more than the sad sack of the first day of the week :)

Friday Wrap-Up

Getting back into the groove after Fall Break took some getting used to. I have to say my Wednesday class was not one of my best, but it has spurred in me the desire to revamp some of the handouts I created last summer in preparation for my fall classes. That is a work in progress!

On the weight loss front. Well. Really not much of anything to report. After 3 weeks of hovering at the same weights I took a week off from WW and just ate when I was hungry. I only had one episode when I ate when I was hungry. I also walked everyday and  . . . still a plateau. *sigh* This week’s focus is going to be on noting my calories but focusing more on making healthy food choices. The one danger with WW is that you can eat a certain amount of calories but it isn’t always the best for you calories.

Here are my submission numbers for the week:

  • Submissions: 4. 2 essays. 1 micro fiction and 1 set of poems
  • Acceptance: CHAPBOOK
  • Rejection:  4 including 1 fiction, one I submitted too early (oops) another set of poems and then one set of poems from a nice publication with comments!! Love when that happens.

Quick note on the acceptance. Those of you who have been reading this blog for a while know I have this chapbook called FAT GIRL that I have been sending around off and on since February of 2008. I am pleased to announce that Sibling Rivalry Press will be released it in the Fall of 2011! If you want a sneak peak at a Fat Girl poem then you can read Fat Girl on Fashion and  I’m Trying Weight Watchers online right now (a little irony there!) FAT GIRL was sent around 28 times since February of 2008. She was a semi-finalist, a finalist, the recipient of comments and even a personal phone call from an editor but it took a long time for her to find a final, perfect family. I can’t wait!

On my own writing front I went through a huge poem purge last weekend while my husband had company. I went through and pulled the actual good lines from all these pending poems I had and saved them in a document then I gleefully deleted the files that had all the mundane lines. I feel so refreshed and I am having so much fun playing with these really bizarre poem fragments! I’m also going through old poems that were published in student lit mags and such to see if they can fit into projects I’m working on. One of the projects (the choose your own adventure poems) just doesn’t seem like something I’m enjoying. I might salvage the good poems and lines from it but retire working on that. Or I could just November (NaNoWriMo) to try and flesh the whole thing out? Decisions.

What is up with you guys? Anything to report? Ask etc? You guys gave me some great ideas for blog posts next week and I have a guest blogger who is working on something about marketing. If you ever want to guest blog let me know! To the weekend!