How does or does character factor into your writing?
Now, everyone who reads this knows I am a poet by trade but, for a long time, I didn’t want to be.
I made up poems and songs throughout my childhood but I wanted to somehow make writing something career driven. Having grown up with constant concerns about money, I was always trying to think of some way I could put two pennies together to make a quarter.
So why on earth would I want to write poetry?
I wanted to be a fiction writer or maybe a playwright. I wrote some plays for my stuffed animals when I was really young and then during my first creative writing class I tried really hard to write short stories. I just couldn’t do it. At the time, there were such thinly veiled autobiographies, that I laugh when I run across old handwritten copies.
For some reason, when I tried to write prose I ended up writing virtually non-fiction and not well. The words came across so flat. Even when I wrote about myself, I lacked character. Maybe the “story” I was telling was interesting (like the one I tried to fictionalize about “running away” when I was 15 – note the quotes cause I argue whether it was running away when i was told to get out, oh, that is a story for another day) but the character trying to live the story or to voice it just lacked something.
But, for some reason in the world of writing poetry I found characters. Maybe they were often really just me telling my stories but they were more believeable. And, after I got the majority of those stories about me out of my system actual characters started to emerge and I find I can write poems for a variety of characters that aren’t even close to being me. Or at least I think so.
But, I still can’t really write short stories. Not that I actually try anymore. Whenever I start to write short stories I find myself focusing too much on plot instead of developing the actual character and from what my fiction writing friends tell me – the best short stories are all about character and then the plot follows.
I think this whole issue of being plot driven was what was plaguing my work on this latest series of poems. I was trying to make the series have a specific narrative arc. I think I was trying, too early, to find out where it all was going instead of just letting the characters and therefore the story go.
I haven’t written anything new in that series in about a week and I have let it slip out of my mind so that when I go back to read the poems in the series as I type them up I will be looking for surprises and I’ll have a chance to enjoy the characters, stories and the language with fresh eyes.
So how do you approach character? I’d love to hear what you guys think, no matter what genre because even in non-fiction “characters” emerge.
Or are you just too tired to think.
Digby is. He is sooo tired

Even a Knight gets tired. Rest Sir Digby Chicken Ceasar
Nice text jessy, so I guess if you think about letting the character go, that does not show character, which is not necesarily something wrong
Letting there be no character . . . that could be an interesting story to tell in itself!
Okay, now this is getting exceptionally freaky jessie…I just returned from DIGBY Nova Scotia. When I saw your cats name I had to blink twice and think thrice. I’ll give you some advice someone gave me once: Write the story as if you are reading it and everything will flow naturally. You are wonderfully talented and I bet you have several novels in you that will be written when you are ready. hugs
Val – that is TOOO funny about Digby, Nova Scotia. My husband just had a good laugh on that and mused again about how much we’d like to visit Canada someday.
I love that idea “Write the story as if you are reading it.” I think that makes just terrific sense. I guess that is kind of what I do with revision because I try to read the work back to myself, out loud if I can, because I am very much a fan of the actual act of storytelling.
Glad to see you back!
Writing a short story is the most foreign and strange thing to me. When I write a poem, I usually hear a line or words before I even start writing it. And then, I’m focused on sound and the weight of the lines..always the lines. I appreciate anyone that can slip back and forth from poetry to fiction. Carter Monroe can do it and Jim Chandler can do it.
Oh but I too started out wanting to be a novelist. Poetry was a million miles away from my conciousness. But, it seems I write better poems than short stories.
Mindy – I think many poets start out wanting to be novelists because that is so much more glamorous and/or acceptable.
I like how you describe your process there . the sound and weight of lines . very nice! I have gotten away from composing specifically by the line. I seem to go more word to work and write everything just in a block of text when I am starting out.